Autoportraits de l'autre, de Belgique en Palestine (sous-titré anglais)

Maxime Coton participe à Cinéastes en Classe. Invitez-le dans votre classe !“Masarat”: in Arabic, “the paths”, “the itinerary”. It also refers to the progression of the Belgian film director, Gérard Preszow, which drives him from Belgium to Palestine with his Brussels Jewish identity on his back.Land of exacerbated identity questions, Palestine forces everyone to introduce and identify oneself. Clichés, stereotypes, amalgams, asserted identities, assigned identities… Is the film about the Palestinian tragedy facing the Belgian futility? More “simply”, in one or the other case, it is about the transformation of a contorted identity into the ability to listen and to discuss.

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